ADULT Modern Dance Summer Intensive - Mutual Dance Theatre and Arts Centers

YOU ARE VIEWING THE ADULT INTENSIVE: JUNE 8-12, 2026

000 days 00 hours 00 minutes 00 seconds

until the early bird discount ends!

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An immersive week of Modern Dance studies

A week of Modern Dance studies with Cincinnati's Mutual Dance Theatre and esteemed guests from notable companies.


16

courses

28

class meetings

11

faculty members

including the Artistic Director

1

amazing week

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Early Bird Rate

$345

EXTENDED! Register by April 15th to receive this discounted rate

Regular Tuition

$385

Register between April 16 to May 15 to receive this rate

Late Rate

$415

This rate applies when registering on May 16 or later

Day Pass

$100

5-Class Mix and Match

$100

MDT Tee Shirt

$24.79

$23 + tax

REFUND POLICY

$50 of your registration fee is a non-refundable deposit and will not be returned for any reason, including withdrawal, illness, or injury.

In the case of withdrawals, a written request must be submitted no later than 14 days prior to the start of the intensive, sent to hello@mutualarts.org.

Refunds cannot be provided due to absenteeism, injury, illness, doctor’s appointments, or other reasons.

2026 SCHEDULE

*Subject to change. Note: On a desktop, if course names are cut off, you may mouseover the block to see the whole name.

Monday

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    MODERN DANCE TECHNIQUE with JEANNE MAM-LUFT, Artistic Director of Mutual Dance Theatre

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    MODERN DANCE MASTERCLASS with DEVIN BAKER of Dayton Contemporary Dance Company *he/his

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    (OPTIONAL LUNCH & LECTURE) HISTORY OF MODERN DANCE IN A NUTSHELL with JEANNE MAM-LUFT Artistic Director of Mutual Dance Theatre *she/her

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    INJURY PREVENTION AND TREATMENT FOR DANCERS with DR. MINDY NAGEL formerly of Mutual Dance Theatre (Graduate of University of Cincinnati and Alabama State) *she/her

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    REPERTORY with HANNAH WILLIAMSON Rehearsal Director of Mutual Dance Theatre *she/her

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    BODY LAB: STRETCHING & RESTORATIVE BODYWORK TIME led by JEANNE MAM-LUFT, Artistic Director of Mutual Dance Theatre *she/her

Tuesday

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    MODERN DANCE TECHNIQUE with JEANNE MAM-LUFT, Artistic Director of Mutual Dance Theatre

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    CONTEMPORARY MASTERCLASS with IHAIAH MILLER formerly of Les Ballets Trockadero and Dance Theatre Harlem *they/them

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    (OPTIONAL) GROUP LUNCH OUTING: be. (cafe with smoothies, ready-made lunches, and more)

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    YOGA FOR MODERN DANCERS with ROSE SUNILA, RYT500 *she/her

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    REPERTORY with HANNAH WILLIAMSON Rehearsal Director of Mutual Dance Theatre *she/her

  • -

    BODY LAB: STRETCHING & RESTORATIVE BODYWORK TIME led by JEANNE MAM-LUFT, Artistic Director of Mutual Dance Theatre *she/her

Wednesday

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    MODERN DANCE TECHNIQUE with JEANNE MAM-LUFT, Artistic Director of Mutual Dance Theatre

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    MODERN/CONTEMPORARY MASTERCLASS WITH INVERSIONS with CLAIRE DIERINGER of Mutual Dance Theatre *she/her

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    (OPTIONAL LUNCH & CHAT) CAREERS IN DANCE Q&A Insight from Jeanne Mam-Luft (MDTAC AED) about the different ways one can find employment in the dance field

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    PHOTOSHOOT with JEANNE MAM-LUFT, Mutual Dance Theatre *she/her

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    REPERTORY with HANNAH WILLIAMSON Rehearsal Director of Mutual Dance Theatre *she/her

  • -

    BODY LAB: STRETCHING & RESTORATIVE BODYWORK TIME led by JEANNE MAM-LUFT, Artistic Director of Mutual Dance Theatre *she/her

Thursday

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    MODERN DANCE TECHNIQUE with JEANNE MAM-LUFT, Artistic Director of Mutual Dance Theatre

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    CONTEMPORARY MASTERCLASS with Countess Winfrey (of Dayton Contemporary Dance Company) *she/her

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    (OPTIONAL) GROUP LUNCH OUTING: THE AREPA PLACE

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    BODY CONDITIONING FOR MODERN DANCERS with KALEIGH HAMPTON of Mutual Dance Theatre *she/her

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    REPERTORY with HANNAH WILLIAMSON Rehearsal Director of Mutual Dance Theatre *she/her

  • -

    BODY LAB: STRETCHING & RESTORATIVE BODYWORK TIME led by JEANNE MAM-LUFT, Artistic Director of Mutual Dance Theatre *she/her

Friday

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    MODERN DANCE TECHNIQUE with JEANNE MAM-LUFT, Artistic Director of Mutual Dance Theatre

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    AFROFUSION with TREZON DANCY Artistic Director of Inpulse Dance *he/him

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    (BYOL, OPTIONAL) 12:45pm ICE CREAM PARTY AFTER LUNCH

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    MODERN DANCE IMPROVISATION with MEGAN FLYNN Artistic Director of Megan Flynn Dance Company *she/her

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    REPERTORY with HANNAH WILLIAMSON Rehearsal Director of Mutual Dance Theatre *she/her

  • -

    Showing

Friday 4:30-5:00pm: Open Showing for Friends & Family + Goodbyes

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2026 FACULTY

Click on the faculty member's name to reveal their bio. Listed in alphabetical order by last name.

Devin Baker, was introduced to dance as a communal galvanizer first. His formal dance training began with the Iibada Dance Company followed by the Deeply Rooted Summer Intensive. He was invited to join Deeply Rooted Dance Theater 2 under the direction of Tracey Franklin and Cece Jones, laying the foundation for his professional performance career with the Cleo Parker Robinson Dance Ensemble (CPRDE), Deeply Rooted Dance Theater, and the Dayton Contemporary Dance Company (DCDC). Mr. Baker has performed the works of notable choreographers including Ray Mercer, Abby Zbikowski, Crystal Michelle Perkins, Tommie Waheed-Evans, Katherine Dunham, Ron K. Brown, Gary Abbott and Kevin “Iega” Jeff.In 2016 he was featured in the Bessie Award winning revival of Donald Mckayle’s “Rainbow ‘Round My Shoulder” as The Captain. Following this triumphant performance, he traveled abroad to Russia and Kazakhstan with DCDC as a US state department Cultural Ambassador, living out a personal dream of performing on the Bolshoi Stage. Under the direction of Debbie Blunden-Diggs, he was appointed DCDC rehearsal director, where he is tasked with re-staging their robust catalog of works including Paul Taylor’s “Esplanade,” Donald Byrd’s “Geography of a Cotton Field,” and Rennie Harris’ “Jacob’s Ladder.” In addition to rehearsal director, he has been promoted to DCDC Touring Associate. Mr. Baker has been with DCDC since 2014. Baker is committed to sharing his vast knowledge of dance and lessons learned at the feet of veritable masters of dance. This has manifested engagements with the Regional Dance Association’s National Choreographic Institute, The Ohio State University Dance Program, CPRDE International Summer Dance Institute, the Shanghai Dance Stages Festival, the GVSU Dance Company, and the International Association of Blacks in Dance Conference. Mr. Baker has expanded his artistry to include the exploration of his own choreographic voice. He is currently in graduate school at Hollins University and is living proof that dance can enhance one’s quality of life by nurturing positive human interaction through movement practices that promote self-awareness, love, and communal appreciation.

Trezon Dancy, who hails from Hartford, Connecticut, is a choreographer, performing artist, and educator. Dancy has worked with numerous artists including Travis Gatling, Kim Stroud, Nathan Andary, Earl Mosley, Ronald K. Brown, Kyle Abraham (A.I.M.), and many others. Dancy graduated high school from Greater Hartford Academy of the Arts in Hartford, Connecticut. He received his bachelor degree in Dance: Performance and Choreography from Ohio University in 2017. Upon graduation, Dancy accepted a first company position with the world-renowned Dayton Contemporary Dance Company. Currently, Dancy resides in Columbus and is the Artistic Director of InPulse Dance Company, as well as the Operations/Program Manager for OhioDance. InPulse Dance Co. is a freelance repertory company that upholds Dancy’s mission of self-expression through mind, body, and soul. The company’s vision is to support self expression through genuine and visceral movement, inspired by familiar life and human obstacles.

Claire Dieringer is a 2016 graduate of Kent State University where she earned a Bachelor of Fine Arts, Magna Cum Laude. Claire also studied at American Dance Festival in Durham, North Carolina with numerous teachers in styles from all over the world. Claire has worked professionally as the Director of the Dance Program at Lake Bryn Mawr Camp in Pennsylvania. In 2017, Claire joined Mutual Dance Theatre (when it was MamLuft&Co. Dance) after training in New York. She was hired full-time as the organization’s Education and Outreach Coordinator and now holds the role of Studio Director and Programs Manager. Claire oversees the daily operations of Mutual Arts Centers’ education and academy programs in both Hartwell and Clifton. In 2019, she performed in Géographie, a multi-week installation by French choreographers Annie Vigier and Franck Apertet (les gens d’Uterpan) at the Contemporary Arts Center, as well as in the Area Choreographers Festival (Contemporary Dance Theater). Most recently, Claire’s choreographic works have been chosen to be presented in the Synergy Dance Series and at Northern Kentucky University’s Dance ’24 performance. Claire has just completed her ninth season with MDT!

Megan Flynn received her MFA in Dance from the University of California, Irvine and is currently based in Cincinnati, OH. From 2022-24, she served as the Gustave L. Davis ’59 and Susan S. Davis Director of Dance/Artist-in-Residence at Union College. Previously, Megan was an Assistant Professor in Dance in the Theatre & Dance Department at Muhlenberg College where she was on faculty from 2013-22. Megan received a Professional Diploma in Dance Studies from the Laban Centre in London, and earned her BFA in Dance, summa cum laude, from Newcomb College, Tulane University. Megan is a member of The NADINE Project, a choreographic collective under the direction of Libby Nye & Janet Soares. Previously, she performed in the companies of David Parker & The Bang Group (NYC), Eliza Miller Dance (NYC), Kathy Westwater (NYC), and EgoArt, Inc. (Boston). Performances abroad include: ATLAS/ImPulsTanz: Vienna International Dance Festival (Austria); Edinburgh Fringe Festival (Scotland); Daghdha Mentoring Program (Ireland); Brighton Fringe (England); Resolution! Festival (England); The Russia Project (Moscow, St. Petersburg, and Ekaterinburg, Russia); and the Dance Improvisation & Choreography Festival (Spain).

Originally from Louisville, KY, Kaleigh Hampton began her training in ballet, Limón, Graham, jazz, and tap dance. She then went on to receive her Bachelors of Arts in dance and Bachelors of Science in exercise science from Western Kentucky University. During her time in college, Kaleigh spent her summers at Complexions, Hubbard Street, and New Dialect. Additionally, she was awarded the Faculty Undergraduate Student Engagement Grant and presented a choreographic work about how gravity affects anatomical structures within different dance genres. Kaleigh just completed her second year with Mutual Dance Theatre.

Jeanne Mam-Luft is the Artistic and Executive Director of Mutual Dance Theatre and Arts Centers. Mam-Luft holds a Master of Fine Arts in Dance from Texas Woman’s University and a Bachelor of Architecture from Carnegie Mellon University. Mam-Luft studied at both American Dance Festival and Bates Dance Festival on full scholarships, as well as Carnegie Mellon’s acclaimed School of Drama, Pittsburgh Filmmakers, and Point Park University. Her training includes Sarah Gamblin (Bebe Miller Dance Company), Mary Williford-Shade (Dance Alloy), James Caton (Ballet Metropolitan), Melissa M. Young and Nycole Ray (Dallas Black Dance Theatre), Ming-Lung Yang (Trisha Brown Dance Company), Tatiana Baganova (Provincial Dances Russia), as well as countless masterclasses. Mam-Luft was the Assistant Director of Contemporary Dance Theater for 4 years. She is certified in Labanotation from the Dance Notation Bureau (NY) and is also a Leadership in Energy and Environmental Design Accredited Professional. As an artist-producer, Mam-Luft has produced dozens of evening length and 70+ shorter works (35 of which she was lead choreographer). She was the first and only dance artist to be named a Cincinnati Arts Ambassador Fellow in support of an original dance-for-camera she choreographed, filmed, and edited. She has been the curator of the Jefferson James Contemporary Dance Theater Series since 2021. She served on the board of OhioDance for 6 years and has been a grant panelist for both the Ohio Arts Council and the National Endowment for the Arts. She was raised in Texas after her family escaped the Khmer Rouge genocide. Most of her works are inspired by her family’s experiences, the need for belonging and connection, as well as the amazing physical and emotional range that dancers are capable of. She has guest-taught and/or set work on students at Texas Woman’s University, University of Cincinnati, Wittenberg University, Northern Kentucky University, University of Kentucky, Tarrant County College, and Kent State, where she was an artist-in-residence in 2016.

Ihaiah Miller is a native of Jacksonville, Florida where they trained at the Douglas Anderson School for the Arts and Jacksonville University’s Dance with Distinction program. In 2003, they graduated from the Joffrey Ballet/New School University with a BFA in Ballet and Composition Studies and in 2016, was a “Reaching for the Stars” fellowship recipient at Arizona State University where they were pursing their Masters of Fine Arts in Theatre, Performing Arts Management and Entrepreneurship.

As a professional dancer, Mr. Miller has performed with the Eugene Ballet, Ballet Idaho, the Dance Theatre of Harlem “Dancing through Barriers” Ensemble (DTH) Coastal Arts Project, the Florida Ballet, and Les Ballets Trockadero de Monte Carlo (Trocks) in soloist and principal roles. They have toured nationally and internationally, and have performed at prestigious festivals, in over 60 countries on 6 continents. They have performed many principal and leading roles in such ballets and works as Swan Lake, Don Quixote, The Nutcracker, The Sleeping Beauty, Beauty and the Beast, Taming of the Shrew, Cinderella, La Bayadere, Le Corsaire, Raymonda, Paquita, The Little Humpbacked Horse, Flames of Paris, and Giselle, Harold Lander’s Etudes, Gerald Arpino’s Italian Suite, Glen Tetley’s The Rite of Spring, Norbert Vesak’s Belong Pas De DeuxSpring Waters, Mark Bogaerts’ Full Circle, Arthur Mitchell’s Fete Noir, Septime Webre’s Shoogie, and Peter Anastos’s Go for Barocco. Ihaiah has been photographed, written up, and reviewed in numerous press articles such as the New York Times and the London Daily Standard. Amongst their most notable performances, Ihaiah has performed at the Guggenheim Works in Progress series with DTH, performing at the Folies Berger in Paris, the Festival Iberoamericano de Teatro de Bogotá in Colombia, performing for Princess Bajrakitiyabha of Thailand in Bangkok, and my final performances at the Joyce Theatre in New York City with the Trocks.

In 2005 they founded a dance company, Diesel Dance, which later became Diesel | Fusion Dance Theatre (DFDT), and was based both in New York City and Jacksonville, Florida. Through DFDT, Ihaiah’s work has been showcased throughout Florida and New York, and has been performed at many festivals, benefits, and concerts including the 2005 and 2006 Downtown Dance Festival, the Women’s Professional Conference, the 2005 Black Expo, the 2005 Young Artist’s Festival, the 2007 Rhythms: Choreographers of NYC Showcase, 2008 Florida Dance Festival on Tour, the 2010 Emerging Choreographer’s Festival, and the Quigley House Benefit hosted by the Arts Edge School of Dance and Theater. In 2003, Ihaiah was privileged to create their ballet, Les Plaisirs Suite on the Manhattan Youth Ballet and in 2007, they choreographed the SDIII music video “1 Potato, 2 Potato, 3 Potato, Knish” for the Neoworld Productions Sketch Comedy Show. To date, Ihaiah has choreographed over 120 works throughout their career and looks forward to creating many more. In addition to this, Ihaiah has re-staged many of the romantic and classical repertoire including La Bayadere, Giselle, Les Corsaire, Raymonda, Don Quixote, The Sleeping Beauty, Paquita, and the Nutcracker.

COURSE: “INJURY PREVENTION & TREATMENT FOR DANCERS”

Dr. Nagel earned her Bachelor of Arts degree from Otterbein College and, after working for several years with Cincinnati-area dance companies, went on to earn her Master of Physical Therapy degree from the University of Cincinnati and her Doctor of Physical Therapy from Alabama State University. Dr. Nagel holds the professional designation of board-certified clinical specialist in orthopaedic physical therapy by the American Board of Physical Therapy Specialties (ABPTS) of the American Physical Therapy Association (APTA).

Dr. Nagel chose to specialize in hypermobility in her practice. She treats all types of orthopaedic and musculoskeletal conditions for all ages and activity levels as well as specializing in hypermobility including Ehlers Danlos Syndrome and other connective tissue disorders, and in dance injury screening, prevention and rehabilitation.

Dr. Nagel is a certified Pilates Instructor and has also studied Dynamic Neuromuscular Stabilization (DNS) through the Prague School of Rehabilitation and is a DNS Certified Exercise Trainer. She has performed with Northeast Ohio Dance Ensemble, MamLuft&Co. Dance, and Reflect Dance Company. She enjoys serving as an adjunct instructor at the University of Cincinnati where she has taught several courses including Anatomy and Injury Prevention for Dancers and Musculoskeletal Anatomy in the College of Allied Health Sciences. Dr. Nagel has also participated in continuing education in sports medicine, muscle energy techniques, women’s health, microcurrent point stimulation, kinesiotaping, dry needling, and a wide variety of orthopaedic topics.

Rose Sunila is a movement educator, performer, and choreographer who holds an M.A. in Dance from the Theater Academy of Finland. In addition, Rose is RYT500 yoga teacher, certified Prenatal yoga teacher and Breathwork facilitator. “My journey in life has taken me to living on three continents, and I have been collecting my craft of dance and movement from these corners of the world. Whether teaching dance in the rural school system in Northern France, studying in Amsterdam, experiencing Flying Low-technique with David Zambrano, or trying to grasp the cultural richness of Capoeira Angola in Brazil; all these experiences have formed me to be the mover and teacher I am today.”

COURSES: “REPERTORY”

Hannah Williamson is an 8th-season performing Company Member, as well as the Rehearsal Director and a choreographer in Mutual Dance Theatre. She is a 2017 graduate of Wright State University with a Bachelor of Fine Arts in dance, magna cum laude. While a student, her senior choreography project White Shores received the Adjudicated Choreography Award and was performed in the 2017 faculty concert alongside Testament, choreographed and set by Dwight Rhoden and Clifford Williams of Complexions Contemporary Ballet, which she also had the honor of performing in. Williamson’s works created after her studies have been selected for presentations, including two choreographic residencies with Columbus Modern Dance Company, Contemporary Dance Theater’s Area Choreographers Festival (2018 and 2021), Mutual Dance Theatre’s New Dance Laboratory, and Yes! Virginia Dance Festival. Williamson also received a commission from MDT for the creation of a half-evening of work titled Variations in a Brainstorm (2021) and “Nacht” (2024). She was honored to be chosen to teach Advanced/Intermediate Modern for Wright State’s prestigious dance program in the fall of 2022. She has recently been hired as an adjunct professor for the college’s advanced musical theatre program and was also honored with the opportunity to create original work for the school’s faculty concert.

Through her passion for choreography, she strives to communicate eternal truths where mere words come up short. Her prior works have been selected for such presentations as Columbus Modern Dance Company’s January 2018 Emerging Choreographer Residency, The Area Choreographers Festival (Contemporary Dance Theater), and Yes! Virginia Dance Festival (Richmond, VA). Williamson also received a commission from MDT for the creation of “Variations in a Brainstorm” (premiere 2021), which was heralded by many audience members as their favorite MDT work.

Nashville native, Countess V. Winfrey, currently serves as a performer, teaching artist, choreographer, and rehearsal director for The Dayton Contemporary Dance Company. She began her training at the age of 11 at Wharton Arts Magnet Middle school, Dance with Stacey Dance Studio, and Nashville School of the Arts. She later attended the University of Memphis, where she graduated Magna Cum Laude with a B.S. in Health and Human Performance, and a minor in Dance. Post-graduation, Ms. Winfrey joined Dayton Contemporary Dance Company’s pre-professional ensemble, which then led into a professional dance career with DCDC. Ms. Winfrey has danced professionally with DCDC and has also danced one season with ClancyWorks Dance Company (Washington, D.C.). She has performed nationally and internationally in Bermuda, China, Kazakhstan, and Russia. She has performed works by Ulysses Dove, Donald McKayle, Ray Mercer, Dwight Rhoden, Ronald K. Brown, Abby Zbikowski, Dianne McIntyre, Donald Byrd and more.

8222 Monon Ave, Cincinnati, OH 45216 — Just 2 minutes off of I-75

Mutual Arts Center
HARTWELL Location
8222 Monon Avenue
Cincinnati, OH 45216

Convenient to I-75, Kroger (just a block away!), Country Fresh Market, charming small business district of Wyoming, and more conveniences. Located in a somewhat secluded area with old, tree-lined streets and large yards on 1.25 acres, with plenty of free parking. Doors are locked at all times with video surveillance.

hello@mutualarts.org

513.494.6526

We also accept text messages

FAQs and OTHER POLICIES

Please scroll up for the refund policy.

This workshop/intensive is best suited for adults with prior dance experience. Many of the classes will move very quickly; however, we will never shame any dancer for having less experience. Most of the students are currently dance majors, recent graduates, or professionals.

Dancers with a foundation in Ballet or Jazz will also do well in our workshop! We highly encourage it for dancers who do not specialize in Modern: it is great cross-training.

There are no auditions! Like American Dance Festival or Bates Dance Festival, we do not audition students.

As an organization, we do not have a strict dress code, per se, for adult dancers. Individual instructors may vary in their opinions. In general, we encourage Modern Dancers to wear movement that assists in their flow and does not impede footwork. We ask for no mid-driffs and for full bottom coverage to at least mid-thigh. We ask dancers not to wear shorts other than “bike shorts” due to the amount of open-leg floor and inversion work we do. Chinese kneepads are encouraged. Floor work is extensive: please have coverage for backs, arms, and legs available at all times.

We are unable to provide housing. However, we have some trusted families in the area who may be able to host a student. Please email hello@mutualarts.org for an introduction. Be aware that we advise that students keep to certain hours and bring absolutely no guests to hosts’ homes.

For the summer of 2022, we can provide two partial work-study scholarships. Please contact hello@mutualarts.org for more information.

Many people reside in Cincinnati without a car and use the public bus system. It will add considerable travel time to many areas of town; we thus highly recommend staying as close as possible to 8222 Monon Ave, 45216.

If you are interested in auditioning for us, please consult mutualdance.org/audition. We also sometimes extend invitations to join the company when we see exceptional dancers.

We ask that you do not arrive at the Center earlier than 15 minutes before the first class of the day, as the doors may not yet be opened.

We advise you bring the following:

  1. Lunch if you don’t want to leave the Center campus. We have a microwave, fridge, how water kettle, and stove available. However, within walking distance are: Kroger, Wendy’s, UDF, and Gold Star. Within driving distance are: Dragon City, La Casita, Penn Station, Country Fresh Market, Wyoming Community Coffee, Half Day Cafe, Wyoming Pastry Shop, Station Family + BBQ, Pollo Shaddai, Amma’s Kitchen (all-vegetarian Indian), We do BBQ, Song Long (Vietnamese), and more.
  2. Reusable water bottle. The drinking fountains are out of commission due to COVID. We will have filtered water coolers available.
  3. Layered clothing. The studio may get warm, but we recommend items to cover legs, arms, and backs for floor work. All of our floors are Marley. The lower level studio is cushioned Marley.
  4. Chinese knee pads. You may find these helpful.
  5. Note-taking materials. Our seminars will contain great information. Writing it down helps you remember!

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